Questions of algorithmic determination—the way that the technical procedures in digital media condition human behavior, perception, and interaction—are implicit in Andrew Roberts-Gray’s exhibition Singularity. In these oil paintings, symbols of computer technology such as a series of numbers that look like digital rain and geometric, interlacing linear patterns that recall circuit boards appear alongside grids in expressive naturescapes. These designs evoke Sci-Fi imaginaries and virtual reality, suggesting that digital technology is already embedded in or determinative of human visions of the “outside” world.